Searching: How Far Will You Go For Your Loved Ones?
Screenshot taken from Official Trailer
Rating: 4.5/5 stars
Searching, the first film from 27-year-old director Aneesh Chaganty, is a crime thriller starring John Cho who plays David, a father in a desperate search for his missing daughter.
After his daughter, Margot, goes missing, David is not allowed to take an active role in the police investigation, so the only way he can help is by combing through her digital persona in search for clues to her disappearance. Filmed from the unique perspective of smartphone and laptop screens, the movie explores the different masks that we put on to hide what is going on inside. Through the twists and turns of the investigation, David learns how little he knew of his own daughter and also what lengths he would go to find her.
Searching isn’t the first film shot from the exclusive point-of-view of a laptop screen, but it is by far the most engaging one, nearly perfectly capturing the millennial generation’s online experience. From its opening shot of booting up Windows XP, the film begins by playing on nostalgia with footages of the MSN messenger, the original YouTube interface and even the early versions of Facebook as we view memories from Margot’s childhood. I haven’t seen such an emotional first five minutes to a film since that heartbreaking opening sequence from Pixar’s Up.
The film proceeds to utilize present day communication apps like Facetime and iMessage as well as popular social media platforms like Instagram, Facebook, and even Tumblr to reveal the story of Margot’s disappearance. David even uses Google Sheets and Google Maps to help in his own private investigation. The little details from director Chaganty of the dropped frame rate during a video call or a typo while messaging or deciding to delete a 200-word rant and replace it with a short, passive aggressive sentence all added to the realism of the online experience.
Although the film-making techniques used to craft the story of Searching certainly make the movie unique, it is the emotional pull of David and Margot’s characters that makes the film a great one. Some of the buzz around Searching is that it is the first mainstream Hollywood thriller with an Asian actor as the lead. Interestingly though, John Cho being of Korean descent had very little to do with David’s character arc. The film instead focused on universal themes of complicated family dynamics, of grief and loss, and—most powerfully—of a father’s love.
This theme of a father’s love was the one that spoke to me the most when reflecting on the film. I was reminded of Jesus’ Parable of the Lost Sheep (Luke 15:1-7) where he tells us of the Shepherd who will “leave the ninety-nine” sheep and “go after the lost sheep until he finds it” (Luke 15:4).
In Searching, David discovers things about his daughter that he couldn’t have imagined were possible. He finds out how Margot has been deceiving him and doing things that he couldn’t believe she would do. At one point in the film, David laments to the lead investigator, “I did not know her. I did not know my daughter.” Despite those discoveries, David’s ultimate goal of finding his daughter never wavers.
In the same way, God’s love for us is constant and unwavering. But in contrast to David, our Heavenly Father knows His children intimately. He knows about the masks that we put on and the lies we tell people in order to fit in or seek approval. He knows about the sneaking around and our sinful behavior. He knows that we will disappoint and disobey Him and go our own way. And yet despite that, he will “leave the ninety-nine” and chase after us with an even greater fervency than David does in the film. In fact, our Heavenly Father has made the ultimate sacrifice for us, not because of anything good in us, but because of the intense love He has for His children.
Although we will hopefully never have to experience what David and Margot went through in the film, my prayer is that we all experience the love of our Heavenly Father and allow ourselves to be found in Him even if we lose our way.
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